#112 A LABOURER'S LIFE--HOW "EASY" WE HAVE IT
THOMAS EPPISON
Thomas Epppison/Epison was born in 1857 and grew up in St. John’s Ward, Toronto. He was the eldest son of Thomas Epison, a baker, and Jane Jollins.
The Ward 1910--Toronto ArchivesThe Ward was often the first home for penniless men, women and children fleeing desperate situations elsewhere in the world. It was close to Union Station, the port and Toronto factories. The crowded parcels of land containing homes, shelters and other dwellings were often subdivided by landlords to extract the most money from tenants. As a result, overcrowding became worse as people banded together to cover the cost of the property. In many cases, six or more people would share a room a single, filthy room. The physical environment reflected this poverty and overcrowding. Narrow lanes, muddy streets, and poorly drained lots were lined with ramshackle houses, hastily built shacks, and subdivided dwellings. Yards often doubled as workspaces or held small sheds where families took in laundry or tailoring to supplement meager incomes. Sanitation was poor, with outdoor privies and limited access to clean water, and this contributed to recurring outbreaks of cholera and typhoid. But despite its reputation among middle and upper-class Torontonians as a slum and a place of vice, the Ward was also a neighborhood of resilience and resourcefulness. Street markets, corner shops, and informal economies flourished.
The Ward & Kensington--Toronto archives
Conger coal dock, Toronto, abt 1914
Toronto skyline and smog caused by coal burning abt 1912
It seems likely that Gretta was working in Toronto and there met Thomas. Their relationship was an unusual one in another significant way. Gretta was Roman Catholic and the Epison family was Anglican. In the 1880s, the Catholic Church forbade “mixed marriages” unless a dispensation was granted by a bishop. In that era, sectarian tensions between the city’s powerful Protestant Orange Order and Catholics would have made a mixed marriage uncommon and socially fraught. Gretta and Thomas must have been a very determined couple, or possibly Gretta was estranged from her family and Thomas offered some stability.
Thomas found work in Danbury, Connecticut as a coal driver, quite possibly for coal dealer John Linster. On May 1, 1892, Linster’s son, James, aged 36, fell into a coal bin, hit his head and died. The next year, Thomas married James’ widow, Mary Jane “Jennie” Webb. She was a hat trimmer and her son was a hat presser. By 1910, Thomas was working as a steam engineer in a hat factory.
Mercury nitrate (until banned) was used in the carroting process. The “Danbury Shakes” were caused by chronic mercury exposure as workers in hot, poorly-ventilated rooms, inhaled mercury vapours. Symptoms of Mad Hatter disease were tremours and neuro-behaviours like irritability, excitability, low self-confidence, depression, shyness, memory loss and personality changes. (By 1934, it was estimated that 80% of American felt makers had mercurial tremours. It wasn’t until World War II that manufacturers voluntarily started to use another process.)
In the late 19th century, factories were driven by steam engines. The engineer’s job was to run, monitor and repair the boilers, steam engines and belt drives. That meant stoking coal (maybe a connection that Thomas used to get employment), maintaining water levels, preventing boiler explosions. Hat factories used specialized machines for felting, blocking, pouncing, trimming and finishing; the engineer and assistants would oil, align and repair these machines when belts slipped, gears broke or bearings overheated. Steam plants were dangerous and poor maintenance could lead to boiler explosions, fires or mechanical accidents; the engineer was responsible for inspections, pressure checks and safe operations. Hatting involved chemicals, like mercury nitrate for felting and processes that could be messy and damaging to equipment; engineers often modified or custom-built equipment to improve efficiency or adapt to new production needs. Larger factories would have an engineer in charge with assistants or firemen (the men who shovelled coal and kept the boilers hot); the engineer directed this team and answered to factory management. Given his previous years as a coal driver in Toronto and Danbury, it is most likely that Thomas was a labouring fireman stoking the factory boilers.
This photograph shows the interior of an early 20th-century industrial boiler house. The large row of machines are coal-fired steam boilers. Each boiler has a hopper at the top where coal was fed in, and below are the furnace doors where stokers would shovel coal to keep the fires burning. The men in the image are stoking the boilers, shoveling coal from the floor into the furnace mouths to maintain steam pressure. Key details in the photo: the row of identical, riveted iron boilers lined up side by side, coal hoppers at the top feeding down into the furnaces, pipes, levers, and valves overhead for controlling steam and water flow, workers with shovels, blackened from soot, doing the physically demanding job of keeping the fires fueled. This kind of boiler room would have powered the steam engines that drove machinery in factories (like textile mills, hat factories, or soap works). It’s a classic image of the age of steam and heavy industry, showing both the scale of industrial equipment and the harsh, hot, dirty labor required to keep it running.
A Day in the Life of Thomas Eppison
The factory bell clanged just after dawn, and Thomas was already at his post, shovel in hand. He heaved coal into the gaping firebox, the blast of heat searing his face and arms. The roar of the flames swallowed every other sound for a moment, until the hiss of steam and the steady thump of pistons rose again. His skin glistened with sweat, his shirt clinging to his back even though the day outside had barely begun. The smell of hot iron, oil, and smoke wrapped around him, settling deep into his clothes.
The engine room was his world: the coal pile, the shovel, the furnace door. Every motion had a rhythm — the scrape of steel on stone, the grunt of lifting, the crash of black rock into fire. Without his labor, no belt upstairs would turn, no press would strike. The hatters depended on his fire as much as on their own hands.
Now and then he climbed the iron staircase into the factory above. The air shifted the instant he left the boiler’s glow, but it was no relief. On the felting floor, vats of scalding water fumed with the sharp sting of mercury nitrate. The smell was a biting mix of wet fur and chemicals, clinging to the damp air. Men bent over their work, their hands raw, their shoulders hunched, some already jerking with tremors. The floorboards squelched underfoot, water seeping into his boots when he crouched to patch a leaking pipe.
In the blocking room, curtains of steam veiled the air as hat bodies were pulled taut over wooden forms. The hiss of the presses and the shouts of foremen drowned the pounding in his ears. The animal smell of wet felt filled his nostrils, the heavy dampness soaking his clothes until he felt he had never been dry.
Upstairs, the finishing rooms rasped with sandpaper drums shaving felt smooth. A gray powder floated everywhere, catching in his throat. It stuck to his damp skin whenever he leaned in to oil a pulley, grit turning sweat into paste. Women in the trimming rooms bent over sewing machines and ribbons, their chatter bright against the drone of belts. Here at least the air carried a faint sweetness — shellac and dye — though beneath it he could still taste coal dust on his tongue.
All of it fed back to him — the soot from his fires, the fumes from the vats, the roar of machines driven by the steam he raised. Every shovelful of coal was a heartbeat of the factory. Without his rhythm, the belts would slacken, the floors would fall silent, and the hatters would be sent home with empty pockets.
At dusk, when the whistle blew and the belts slowed, Thomas stayed behind. He banked the fires carefully, shoveling and raking until the boilers glowed low and safe for the night. Only then did he step out into the cool air of Danbury, lungs aching, skin blackened with soot, hair heavy with smoke. Around him, hatters spilled into the streets, their coats powdered with fur dust. They wore the day’s labor on their backs, but he carried it inside him — coal dust in his lungs, smoke in his clothes, the ghost of the fires that had kept “Hat City” alive.
-scripted by ChatGPT
Jennie, aged 49, died March 1, 1908. Thomas remarried Mary ?, a hat trimmer, in 1909. He died July 8, 1916, aged 59 and is buried in Wooster Cemetery,
Danbury.
Thomas Epison b. March 1857 in Toronto, Ont m. Bridgetta "Getta" Walsh (1858-1890) on Jun 21, 1887 in Toronto m. Mary Jane "Jennie" Webb (1858-1908) on Nov 25 1893 in Brewster, NY m. Mary ? (1870-) in 1909 d. July 8, 1916 in Danbury, Conn husband of Steve's 1st cousin, 2x removed (Walsh line)
Wooster Cemetery, Danbury, Conn
I’ve worked in the tobacco fields from dawn until dusk and yes one is exhausted but it’s just physical. I think mental anguish is much harder to bear and for many reasons it seems to be the main reason for feeling of tiredness/exhaustion today. I also think death was a more inevitable part of life in those days.
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